Kimputer's Weblog

While the new book is breaking the fastest selling record, the boy wizard loses his box office magic juice a little bit faster than his rival hardware friends. This means a new comedy entry takes over the top spot already. I Now Pronounce You Chuck and Larry, starring Adam Sandler and Kevin James as two straight people pretending to be gay lovers, hauls in $34.8 million, just a few points lower than Sandler previous hits (for instance, Click opened at $40 million).
This leaves Harry Potter at two, dropping some 58% (compared to just 47% for Transformers last week), but still has enough power left to conjure some $32 million (and a total racing past the $200 million mark).
Hairspray, the musical starring John Travolta as a big fat momma, scores $27.8 million.
Dropping to number 4, but still on a destructive path is Transformers, with $20.5 million and a $263 million total. Rounding out the top 5 is Ratatouille with $11 million and a total of $165 million, coming a whole lot short of Brad Bird’s previous achievement with The Incredibles ($200+ at the same week of release) despite extremely favorable reviews.

Frank Oz is a bit of everything. He’s the voice of Yoda, but also from many Muppets (including puppeteering them himself). He’s a director too, with memorable comedies in the late eighties, till the more mediocre stuff in the late nineties (In & Out, Bowfinger).
This time, he’s directing a movie a bit in the British style. The title of this movie is perfectly descriptive, and hence, there’s no need to predict what is going to happen. That’s one side of the story, as there are many many things you will see coming before it happens, but still laugh out loud about it. The other hand is the unpredictability of it all, and all of it happens only at one location (where the funeral is being held). While slow at first, the escelation of the little problems run rampage after less than 20 minutes, and keeps on going till the end. I guess Frank Oz is definitely back in the game, if he keeps making comedies like he’s never done before.8.

Of their past albums, I’ve selected less than a handful of songs, and this album is no difference. Most of the songs I can dispatch to the dislike-bin with mere seconds of listening. Others I give several tries, but to no avail. Those songs just seem to be missing that magic to make it a hit. I know they’re able to make some hits (though never impressing with originality), but they keep using the same template for their songs, and that can’t be good in the long run. With only a moderately capable voice, you need to excel with your music and lyrics, and frankly, they don’t. I think, now already at their 4th album, they’re definitely going downhill, from being too generic to no hit potential at all.4.

Wow, look at this recent study about criminal profiling in this lil’ country. The only relevant line in this report is actually this: “Aziaten komen verhoudingsgewijs weinig in aanraking met justitie. “. It just means, my mob cousins are doing their work at an efficient and ninja-stealthy like manner. Way to go, cous’.

Somehow Fox deemed this mediocre performing sit-com salvagable for a summer run, but tweaking the formula wasn’t such a good idea. While a fastpaced funny in its first inception, it now is nothing more than dreary repetition. Philip Baker Hall’s unpredictable wacky character keeps you on your toes, the irritating brother character, and the lack of hot females (both girls from season 1 were axed) makes this a series not worth watching even during the low-key summer months.

Harry Potter does his magic again at the box office, breaking a few records along the way. With $77.1 million take for the weekend, the total already stands at $139.7 million since its Wednesday wide opening.
Transformers did their record breaking last week, and they’re still on course for a fabulous ride, this week with $37 million and a grand total of $224 million.
Leftovers round out the top 5, respectively Ratatouille with $18 million, Live Free or Die Hard with $11.3 million (the total just passed $100 million mark) and License to Wed with $7.3 milion.

A surprise hit States-side (they thought it would appeal only to the older males who grew up with the toys and cartoon series), it actually plays well in most demographics. And it’s quite understandable. Michael Bay really delivers the ultimate pop-corn movie here.
It’s an uncomplicated story, but the rest will blow your mind. Sometimes, with a high budget movie, you wonder where all the money went to, but with this $150 million vehicle, it’s quite clear. Wonderful location shooting and stunning visuals (though a bit fast cut and chaotic at times) are a force to be reckoned with, but most of the characters have fantastic one-liners, and Shia LaBeouf carries this movie well on his own. Still, there are also quite a bit of memorable other characters around (hilarious roles for John Turturro and Anthony Anderson), and not the least the Autobots themselves.
Another important factor well done is the sound design (mostly effects), though Michael Bay’s recent go-to composer Steve Jablonsky delivers a not-so imaginitive score (resembling too much of his own previous works and his learning master Hans Zimmer).
All in all, this movie is not only enjoyable in the short run, you’ll actually wanna go out and buy the newly produced Transformers toyline (now even more advanced), and play with it like the good ol’ days till the highly probable sequel comes out in two years.8½.

USA Network is definitely back for the summer months. While their new show Burn Notice may smolder away under a dark moldy rock, these private detective duo pairs up for a good solid two hours of belly-aching laughter.
Both new episodes seem to be injected with a vacation inspired fresh can of ideas and guest stars, and it looks like it’s going to be another set of excellent seasons.

As the books fly off the shelf, it’s only a short wait for the movie version, and I’m glad yet again for not reading this book. Yeah, people will say the books are better, but I still fail to see how several directors get to reduce good books to mediocre movies. The theory that the books are not so good to begin with is so much more feasible.
Already the fifth of the series, it’s doing quite a good job at lower expectations for the next chapter. This movie shows nothing new. Not in story, but also not on screen. Hiring a conventional TV director must have been a part of the equation, as there are no stunning visuals, or inventive camera work to be seen.
The story doesn’t feel like an adventure, and most characters are reduced to cameos. With the focus on Harry Potter, the inner struggle hasn’t changed, and hence, it utterly feels like a rehash of the previous movies. Not only that, with the darker visual texture, it’s still brightly clear this is a kiddy picture, with themes repeating themselves in a non-daring way. With only two more to go, I think I’m qualified enough to blame this cowardly trend not mainly on the directors, but on JK Rowling herself.6+.

High-tech box office record breaker this week, as The Transformers charge their ways to the top spot with $67.6 million, and already a total of a whopping $152.5 million (since that started showing up on Tuesdays already).
Ratatouille isn’t beaten down easily though, at two with $29 million and a total of $109.5 million. Live Free or Die Hard has to do with a spot lower, $17.4 million and a total of $84.2 million.
A second new entry at 4, Robin Williams starrer License to Wed has a $10.4 million ceremony, and might be considered a flop.
Evan Almighty drops to the fifth spot, with $8.1 million and a $78.1 million total, it IS definitely a flop (considering $175 million budget).

A new series on the USA network, where the slogan is “characters welcome”, this show is quite devoid of it. Of course, they have characters, just not very defined or memorable ones. While being in the crime game is bad enough, it just doesn’t stand out anymore (and certainly not like the other USA network shows Monk or Psych does).
Basically it’s about a spy who’s disavowed for unknown reasons, is left with no resources anymore, and tries to find out who are what is behind it. Seems like a good story line to finish throughout the season, but sadly, it all comes off pretty dull and boring. Usually I give new shows at least 2 episodes to try out, but I’ll leave it at this pilot for this one.

After expanding their excellent crispy chips line with some light versions, they’re expanding once again. This time it’s their Rice Infusion series, which may or may not surprise you, infuses rice into their usual Pringles mix, making the chips absorb 30% less fat.

Flavors coming out will all be the same as the regular Pringles, so taste-wise, you know what to expect. The base, however, has changed a tiny bit (and with that, only a tad of the flavor), and you’ll notice it mostly on the much denser texture. The rice makes the chips harder and you have to chew a little bit more.
So, for the weight watchers out there, you can eat more now ! For the rest of us, just stick with the regular series.

When I caught this new series on Showtime, thinking a relatively strange title combined with both favorable critic and user reviews might be that one summer hit that sometimes comes along.
Wow, was I wrong. First of all, it’s import, it’s not really a Showtime show, it’s freaking British all over (Channel 4 to be exact). It’s rare enough I ever like British shows, but even then, it’s usually comedies. So, here we have a show that tries to be strange, just to be strange. No real good storytelling or compelling characters, just strange, and nothing else. And even then, it’s still predictable. If there’s anything I hate, it’s writing something strange without a real purpose. And that’s what this show is all about. Well, at least they have Weeds coming back on in a few weeks, otherwise I’d call upon a channel boycot.

Not a very clean box office this week, as a rat invades the kitchen in Ratatouille, Brad Bird’s second outing as a director for Pixar/Disney after The Incredibles. While the figure is good ($47.2 million), it’s not record breaking.
Second up is Live Free or Die Hard, with $33.2 million, also a respectable but not really high number. Probably lacking interest from the youth, most of which weren’t born during the Die Hard high days.
Rounding out the top 5 is Evan Almighty, still disappointing with $15.1 million, 1408 with $10.6 million and Fantastic Four: Rise of the Silver Surfer with $9 million.

In these summer months, already halfway through all the mega sequels now, only one really REALLY delivered. And that one is named Live Free or Die Hard (why we get an alternate title, beats me.0). Three previous chapters were solid actioners in its own way. Many have copied and failed over the years, and hence, with this fourth part, it’s still the same while feeling fresh. And it’s updated to these times too, not only the looks (bald, leather jacket), but also with computers and all.
When I first hear Len Wiseman would take the seat behind the camera, I was a bit weary. Was he experienced enough to make this work, with only 2 high special effects, ultra-fast cut pictures under his belt (Underworld + sequel) ? It’s a far throw from the previous old fashioned car chasing, bomb exploding, building jumping action sequences.
But I have to tell you, it _DOES_ work. Some of the fast cutting is still there, but overall, there are inventive eye-popping sequences, from beginning to end. Some overly-big overdone special effects shots close to the end are a bit extreme, but for the whole experience, it’s quickly forgiven.
Story is reasonable too, and it’s mostly the short dialogue and quips that do the trick. As for chemistry, it’s hard to forget the team-up with Samuel L. Jackson twelve years ago, but Justin Long is performing quite well too.
All in all, for now, with less than a handful of summer tentpoles to go, Bruce is definitely the current winner.9.