Kimputer's Weblog

Still hanging around CBS, here’s another legal drama, from the DA’s stand of point. Off to an interesting start, mainly focusing on James Woods’ character, after a while, it’s highly formulaic. The cases following certain story points and turns, and hence become a bit predictable. Mostly, it’s a James Woods one-man show (one half as an Assistant DA, one half as a father of a teenage girl), as all the other characters are just neatly dressed up furniture. So it won’t make the must-see list, but it’s high on the killing-time list.

The top 5 stays largely the same as last week, with the top 3 exactly the same, with Happy Feet ($17 million), Casino Royale ($15.1 million) and Deja Vu ($11 million). New entry at number 4 is The Nativity Story, a Christmas movie targeting the christian demo, with $8 million. Rounding out the top 5 is Deck the Halls, dropping one spot, with $6.7 million.

Dreamworks Animation teams up with clay wizards Aardman Animation, which results in clay-nimation in CGI (runs a lot smoother). On the Aardman side, not lost is their adherence to Brit voice talents (thumbs up for Hugh Jackman and Ian McKellen). But what really got me thinking is, which side introduced the simplistic story telling, the cheap jokes, the lame “let’s make a “funny” sound” repetition, or just the overall failure to make an enjoyable movie. I doubt anyone other than kids will find this quality matching up to -still at Dreamworks Animation’s throne- Shrek.5½.

After Friends, there hasn’t been anything on TV that copied the same feeling. With The Class, David Crane (exec producer of Friends) sets shop at another TV station, CBS. Partnering with Jeffrey Klarik (formerly Mad About You co-producer), and you have the best sitcom entry for this season. Of course, it’s no contest when it comes to comedy in general (single camera comedies like My Name is Earl and Extras win hands down), but for the “simple laughter” category it’s good enough.
A few positive points are, the ensemble cast, while the characters start seperately, they’re slowly written into each other, which is nice. Then there’s the continuity, long developing story lines, and every episode ends with a “cliffhanger”, which adds something extra to keep you watching. The humor itself is exactly what you expect. It’s a bit of the same craziness you’ve loved Friends so much for. Laugher-wise, it’s still hits-and-misses, but the hits win it overall.

Barely have I finished reviewing the current new batch of new TV shows, and I have another batch waiting already. Moving on to the last station, CBS, home of Bruckheimer, procedurals and other episodic easy to digest chunks. But wait, the premise of this show (nuclear fallout) doesn’t fit in at all. Well, lucky us, something different. With world destruction and isolation as the main themes, it’s dramatic, and sometimes action packed. It focuses on bonds made during these stressful times and how people react in these harsh times. And with a whole town to write about, I think there’s a lot of life left in this series (bar another nuclear blast coming down).

The same top 2 goes toe to toe this week, with Happy Feet slightly increasing the lead (this week $37.9 million and racing passed the $100 million mark) over the James Bond adventure Casino Royale (with $31 million and a $94.2 million total).
Newcomer Deja Vu, the third Tony Scott/Denzel Washington, does the title justice. With $20.8 million it’s on par with the two earlier movies (Crimson Tide and Man on Fire) to reach a $80-100 million cume when the movie ends its run.
Another new release at 4, Deck the Halls, a seasonal comedy starring Matthew Broderick and Danny DeVito, seems it had its thunder stolen already last month by The Santa Clause 3, reaching only $12 million. Rounding out the top 5 is Borat with $10.4 million.

While this series has been as adaptive to time as possible (going through 5 actors, and technology/gagdets parallel to our own timeline), it doesn’t escape the current reboot/reimagining hype (and mostly successful, see Batman Begins and Superman Returns) to launch or refresh a franchise. So we go back to the start, and see what makes Bond Bond. This means, gone is the static womanizing care-free spy, and in comes a fresh character ready for a bit of development (although it also means, gone is the smooth photo-model like stud, and in comes what many furious Brosnan fans describe as potato face after the casting announcement was made). And it works great. More meaningful dialogue, more dramatic depth. The darker and psychological aspects of the script are pretty well done. But not all is well. Somehow, it didn’t have the adventurous or thrillery feeling that usually comes with Bond movies. Also, it runs a bit long, with noticable gaps of “downtime”. Maybe I just expected too much, after most critics hyped it up. Then again, as a movie on its own, it’s still good.7½.

Can’t say I’ve really been a fan of Blink 182. Of course there are the radio friendly hits. But I’ve discarded most of their albums as too much of the same guitar style and shout heavy. After the split up, one third, Tom Delonge was the first to finish an album with a newly formed band Angels and Airwaves. Granted, grandiose intros very much to my likings, but well into the song, it’s again that same weary feeling. Now the other two thirds (Mark Hoppus and Travis Barker) have finished their album, also with a newly formed band.
And guess what ? AGAIN. It all sounds nice at first glance, but it just doesn’t stick. The hooks are too simple, and the songs are too similar. And let’s be fair, that’s what Blink 182 had going now and then, since none of the singers were world class vocalists. Of course, since it’s not repulsive at all, and they probably do their genre honor, it’s not a totally bad grade.5½.

Update 13-12-2006: I guess some songs did grow on me, and the playlist is now down to 7 songs (Baby Come On, When Your Heart Stops Beating, 155, Lillian, No It Isn’t, Make You Smile, Chapter XIII). Not really superb, but still quite respectable.7+.

Rate 1 (sucks) to 5 (cool). Only rate the latest pictures, otherwise I can’t keep track of the average.

Total: 805 out of 248 votes > Average is: 3.246

While I was working on the upper floor of the warehouse of our office, during an idle moment (and there aren’t many of those), I looked up and saw this…

…which got me thinking (since those are pretty sharp and long screws sticking out), if you are somewhere at a party at some industrial terrain where most building are made the same way, and your favorite past time is the same as Lionel Richie’s (which is dancing on the ceiling), better think twice, or even better, thrice, before actually doing it.

As with most indie pictures, the danger of being too off-beat boring always looms. But with this ultra-low budget movie, there’s a high pace set at the start, and it doesn’t stop. The intrigue here isn’t really the story (which by all it’s lightheartedness, doesn’t have high impact), it’s how the dialogue develops. There’s a certain level of smartiness, that works in an enlightning way. As a subtle underlining, irony pours in now and then, enough to keep you smiling mostly throughout the movie. And while it’s a work of fiction, it somehow feels like a history lesson. And the biggest irony of it all is, it doesn’t matter if you’re pro- or anti-smoking, this is just a movie you’ll have to see for it’s artistic content.7½.

A certain secret agent didn’t have to battle super villains at the box office, but had to face an army of… Penguins. Happy Feet proved to be the winner, with $42.3 million, ahead of a very satisfactory opening for the first Bond to be distributed by Sony (instead of the previous tradition of MGM releasing it), with $40.6 million. At three, Borat is finally showing signs of fatigue, dropping some 46% to $14.3 million, but with a healthy $90.5 cume. The Santa Clause 3 and Flushed Away round out the top five with resp. $8.2 million and $6.8 million.

I know when to avoid film noir murder mysteries when I see one (it’s right up there in the same alley as costume period dramas). But I ignored the better half of me this time, thinking names like Brian dePalma, Scarlett Johansson and Hilary Swank wouldn’t disappoint me. But plain ol’ statistics won again, as this is another one of those quite boring, tedious film that nicely fit the category (only thing missing is the use of pure black and white film). Add some more boring jazzy background music, and your yawning muscles are in for a good training. If not for Scarlett’s utter beauty on screen, I might have joined the guy sitting behind me snoring out loud. I have to admit, some story points are well done, but in its current form, I can’t recommend it to anyone.5-.

Ice cream-wise, this year hasn’t been that great. And now it’s already almost winter. But my view is, why spend a fortune building a nice centerpiece fireplace (or in my case, 2000 Watt portable heater fan thingy) if you can’t enjoy it while having a contrasting delightfully cold dessert ? And that’s where this new ice cream with egg nog comes in. Nice timing, I’d say. But not only that, it’s the nicest thing to come around too. After getting a tast of this flavo, I’ll put it right next to the existing Koffie Royaal, and it would even be able to compete with the non-existing pistache flavor (only available at ice cream specialty shops). For the sugar sensitive among you, it can be frightening, because it’s truly ultra-sweet, but that’s the way I like it. And just in case there’s no dry wood to burn in the fireplace (or in my case, to save energy from draining too much current and risking blown fuses) this creamy ice cream gives you that familiar warm fuzzy feeling that comes with this friendly yellow substance.8½.

One round for Fox, it’s a short list (as all the other new shows from this male oriented TV channel weren’t that interesting at all). These two new entries aren’t aiming for the must-see status either though, being fairly episodic and predictable.
Let’s start with Justice, before it is canceled. Oh wait, just received it on the telex, it’s just been axed. Ah well, it was a typical Jerry Bruckheimer production, and it’s another legal drama (just like last year’s Just Legal on the WB), but unlike the previous lower budget attempt, it’s the fully flashy CSI style visualisation, with the suits and the set design to match. But other than that, the characters were pre-defined, but still lacking depth and detail, while the stories weren’t really that interesting at all, leaving no other judgement available than the usual time killer.
As for Standoff, almost the same judgement has to befall on this hostage negotiater based series. While a smaller cast will make the focus shift more easily on the two main characters and their relationship, this also hasn’t been really developed well, still focusing on the case at hand every week. For the guys, there are two hot chicks admire here (Rosemarie DeWitt and Raquel Alessi), but again, predictability is something you can’t negotiate around. This series will have to up the ante if it doesn’t want to drop off my time killer list.

After Borat’s surprise performance from last week, word of mouth made it reign the box office for another week. With a wider release, it actually earns more than last week, $29 million and a $67.8 million cume.
The rest of the top 3 is also unchanged, The Santa Clause 3: The Escape Clause with $16.9 million and Flushed Away with $16.7 million.
One newcomer in the top 5, at 4 is Stranger Than Fiction starring Will Ferrell, with $14.1 million. Saw III rounds out the top 5 with $6.6 million.